Positions

Selected Publications

Document

Year Title Altmetric
2022-01-01 Justamant’s Le Bossu and Depictions of Indigenous Americans in Nineteenth-Century French BalletIn America in the French Imaginary, 1789–1914: Music, Revolution and Race. 49–99. 2022-01-01
2022-01-01 Louisiana Imagined: Gender, Race and Slavery in Le Planteur (1839)In America in the French Imaginary, 1789–1914: Music, Revolution and Race. 100–145. 2022-01-01
2020-01-01 Fromental Halévy, La Reine de Chypre, Flemish Radio Choir and the Orchestre de chambre de ParisNineteenth-Century Music Review 17. 504–506. 2020-01-01
2020-01-01 Le divertissement dansé.” Trans. Hervé LacombeIn Histoire de l’opéra français. 316–324. 2020-01-01
2020-01-01 “Lise Noblet.” Trans. Hervé LacombeIn Histoire de l’opéra français. 369. 2020-01-01
2020-01-01 “Marie Taglioni.” Trans. HervéIn Histoire de l’opéra français. 370. 2020-01-01
2017-05-01 "_Parisian Music-Hall Ballet, 1871–1913_. By Sarah Gutsche-Miller. pp. x+373. Eastman Studies in Music. (University of Rochester Press, Rochester, NY, and Woodbridge, 2015. ISBN 978-1-58046-442-0.)"Music & Letters. 303–305. 2017-05-01
2016-01-01 Eugène Scribe and the Jardin des Femmes ConventionMeyerbeer and Grand Opéra from the July Monarchy to the Present. 287–312. 2016-01-01

Presentations

Full Name

  • Helena Kopchick Spencer