Spencer, Helena Kopchick
positions
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Publications
Presentations
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Presentation
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"'Were You There?': Caterina Jarboro Signifies at Thalian Hall",
Annual Meeting of the American Musicological Society 2024-11-01
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Concert: Musical Aperitifs (9/16/23),
Wilmington Symphonic Winds 2023-09-16
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Sexual and Racial Violence in Henri Justamant’s Ballet Divertissements for Les Huguenots and Robert le Diable,
5th Transnational Opera Studies Conference (TOSC@Lisboa.2023, 7/6–8/2023) 2023-07-01
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"An Authentic Ethiopian Princess": Caterina Jarboro and the Construction of Black Celebrity in Interwar Europe,
Transnational Opera Studies Conference 2022-06-01
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Caterina Jarboro on the European Stage, 1935–39: Repertoire, Reception, and the Precarity of Black Divadom,
Spring Meeting of the American Musicological Society–Southeast Chapter (Charlotte, NC) 2022-03-01
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Louisiana Imagined: Gender, Race, and Slavery in Le Planteur (1839),
Annual Meeting of the American Musicological Society (virtual) 2020-11-01
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Sémiramis (1860) at the Paris Opéra in the Age of Romantic Archaeology,
Transnational Opera Studies Conference 2019-06-01
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Sémiramis (1860) at the Paris Opéra in the Age of Romantic Archaeology,
Annual Meeting of the American Musicological Society 2018-11-01
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Witches, Damnation, and Sexual Violence in Robert le diable,
Staging Witches Pre-Conference held in conjunction with the Annual Meeting of the American Musicological Society 2018-10-01
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Henri Justamant’s Choreographies for Les Huguenots and La Favorite at the Paris Opéra, 1868/69,
Transnational Opera Studies Conference 2017-07-01
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Henri Justamant’s Choreographies for Les Huguenots and La Favorite at the Paris Opéra, 1868/69,
North American Conference on Nineteenth-Century Music 2017-06-01
Research
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