Spencer, Helena Kopchick
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Publications
Presentations
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Presentation
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Pre-Performance Talk: Puccini's La Rondine,
Metropolitan Opera Live in HD Broadcast Series (5/5/2024) 2024-05-01
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Pre-Performance Talk: Gounod's Roméo et Juliette,
Metropolitan Opera Live in HD Broadcast Series (4/14/2024) 2024-04-01
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Caterina Jarboro (1898–1986), Tosca, and Diva Citizenship,
Exploring Opera: The Art of the Diva (2/24/2024) 2024-02-01
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Pre-Performance Talk: Bizet's Carmen,
Metropolitan Opera Live in HD Broadcast Series (2/25/2024) 2024-02-01
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'Our Own Prima Donna': Caterina Jarboro at Thalian Hall, 1932–33,
Wilmington History 101 (12/15/2023) 2023-12-01
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Art Songs by Black Composers in the Concert Repertoire of Caterina Jarboro,
North Carolina Music Teachers Association 2023 State Conference (10/20/2023) 2023-10-01
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Concert: Musical Aperitifs (9/16/23),
Wilmington Symphonic Winds 2023-09-16
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Pre-Performance Talk: Renée Fleming's Cities that Sing – Venice,
Opera Wilmington: Lunch and Learn Series (9/16/2023) 2023-09-01
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Sexual and Racial Violence in Henri Justamant’s Ballet Divertissements for Les Huguenots and Robert le Diable,
5th Transnational Opera Studies Conference (TOSC@Lisboa.2023, 7/6–8/2023) 2023-07-01
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Gender, Class, and Power in Mozart's Don Giovanni,
Wilmington Newcomers Club: Opera Fun Club (6/21/2023) 2023-06-01
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Pre-Performance Talk: Mozart's Don Giovanni (Metropolitan Opera Live in HD broadcast),
Opera Wilmington: Lunch and Learn Series (5/20/2023) 2023-05-01
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"An Authentic Ethiopian Princess": Caterina Jarboro and the Construction of Black Celebrity in Interwar Europe,
Transnational Opera Studies Conference 2022-06-01
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Caterina Jarboro on the European Stage, 1935–39: Repertoire, Reception, and the Precarity of Black Divadom,
Spring Meeting of the American Musicological Society–Southeast Chapter (Charlotte, NC) 2022-03-01
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Louisiana Imagined: Gender, Race, and Slavery in Le Planteur (1839),
Annual Meeting of the American Musicological Society (virtual) 2020-11-01
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Sémiramis (1860) at the Paris Opéra in the Age of Romantic Archaeology,
Transnational Opera Studies Conference 2019-06-01
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Sémiramis (1860) at the Paris Opéra in the Age of Romantic Archaeology,
Annual Meeting of the American Musicological Society 2018-11-01
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Witches, Damnation, and Sexual Violence in Robert le diable,
Staging Witches Pre-Conference held in conjunction with the Annual Meeting of the American Musicological Society 2018-10-01
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Henri Justamant’s Choreographies for Les Huguenots and La Favorite at the Paris Opéra, 1868/69,
Transnational Opera Studies Conference 2017-07-01
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Henri Justamant’s Choreographies for Les Huguenots and La Favorite at the Paris Opéra, 1868/69,
North American Conference on Nineteenth-Century Music 2017-06-01
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“Ancient Worlds on the Paris Opéra Stage: Herculanum (1859), Sémiramis (1860), and the Archaeological Imagination,”,
Music & Culture Colloquium Series 2017-04-01
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Bathing Beauties, Languid Wasps, and Turkish Odalisques: The Parallel Lives of Meyerbeer’s Chœur des Baigneuses in Parisian Vaudeville,
North American Conference on Nineteenth-Century Music 2015-07-01
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Bathing Beauties, Languid Wasps, and Turkish Odalisques: The Parallel Lives of Meyerbeer’s Chœur des Baigneuses in Parisian Vaudeville,
Transnational Opera Studies Conference 2015-06-01
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“Eboli’s Idyll: The Garden of Women in Act II, Tableau 2 of Verdi’s Don Carlos,”,
Shepherd School of Music, Rice University 2015-02-01
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The Comique Roots of Queen Marguerite’s Garden: Contextualizing Act II of Les Huguenots,
Fall Meeting of the American Musicological Society–Southeast Chapter 2014-10-01
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“Music Fit For a Queen: William Mundy’s Marian Antiphons,” 2014-10-01
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Eugène Scribe and the Jardin des Femmes Convention,
International Conference on Meyerbeer and French Grand Opéra 2014-09-01
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Geography and Meaning in Donizetti’s La Favorite,
International Conference on Nineteenth-Century Music 2014-06-01
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“Geography and Meaning in Donizetti’s La Favorite,” 2014-02-01
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Southern Harmonie: Mischief, Magic, and Mayhem (1/18/25),
Performer,
Southern Harmonie
Research
Co-principal Investigator On
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