Scatton-Tessier, Michelle
positions
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Publications
Presentations
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Presentation
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College of Arts and Sciences Reorganizations,
Council of College of Arts & Sciences Annual Council 2022-11-03
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Language Partnerships: Impacting Students’ Fields,
Northeast Modern Language Association Convention 2020-04-27
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Sampling Culture in 1980s-1990s Comics, Film, Music and Music Video,
Northeastern Modern Language Association 2020-03-06
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Managing the Message: Motherhood in HigherEd,
Northeast Modern Language Association 2019-03-22
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Intentionality: Departmental and College Initiatives to Encourage the Study of French,
Northeast Modern Language Association 2018-04-13
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Pedagogy II: Stop the Bleeding: Language Departments and the Dwindling Major,
Mountain Interstate Foreign Language Conference 2017-10-05
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Interpersonal Relations in the Cinema of Jean-Pierre Jeunet: Mechanics in Motion,
Mountain Interstate Foreign Language Conference 2016-10-13
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Intimate Relations in the Films of Jean-Pierre Jeunet,
Mountain Interstate Foreign Language Conference 2016-10-13
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Activism and Social Criticism in Jeunet’s Un long dimanche de fiançailles, Micmacs à Tire-larigot and L’extravagant voyage du jeune et prodigieux T.S. Spivet,
Mountain Interstate Foreign Language Conference 2015-10-14
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The Allegory of Cinema Forain in the Works of Jean-Pierre jeunet,
Mountain Interstate Foreign Language Conference 2014-10-16
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Faits Divers and the Pregnant Body in the Cinema of François Ozon,
Northeast Modern Language Association 2014-04-03
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Arrest and Alarm: The Pregnant Body in Contemporary French cinema,
FLL Faculty Colloquium 2013-11-20
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Experiential Learning and Feminist Theory: the WGS Internship,
Southeastern Women's Studies Association Conference 2013-04-19
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The Pregnant Body in Contemporary French cinema: Arrest and Alarm,
Pacific Modern Language Association 2012-10-19
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The Place(s) of Agnès Varda,
Mountain Interstate Foreign Language Conference 2009 2009-10-09
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Hyperreal Epic War Film: Jean-Pierre Jeunet’s Un long dimanche des fiançailles,
Mountain Interstate Foreign Language Conference 2008-10-09
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The Cinema of Jean-Pierre Jeunet: at the junction of BD and moving images,
International Bande Dessinée Society Conference 2007-04-13
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Beyond the Orphan-Monster Dichotomy in Jean-Pierre Jeunet’s Narratives,
Vampires, Cannibals, and Other Horrific Creatures: Artistic and Political Monstrosities in Literature and Cinema 2007-03-16
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Filming Women and Adolescence: Anne-Sophie Birot’s Les filles ne savent pas nager,
Third Annual Women in French Conference 2006-04-06
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Tautology in the Recent Films of Jean-Pierre Jeunet,
Issues in Popular Contemporary French Cinema 2006-01-12
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Amélie, la fée du logis: le petisme and Jean-Pierre Jeunet’s Le Fabuleux Destin d’Amélie Poulain,
20th/21st Century French and Francophone Studies International Colloquium. “Diversity and Difference in France and the Francophone World.” 2004-04-11
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An Inquiry into Isolation and Quest: Female Protagonists in Contemporary French Cinema,
28th Annual Meeting of the Philological Association of the Carolinas 2004-03-18
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Cléo in the Classroom: Teaching with the Films of Agnès Varda,
Teaching with Film, Women in French Panel 2002-11-01
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Appropriating Spaces: Passion simple to Journal de dehors.,
The Fifty-fifth University of Kentucky Language Conference 2002-04-01
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Annie Writes 'Home": House and Body in the Writings of Annie Ernaux,
The Twenty-fifth Annual Colloquium on Literature and Film, The Famale Gaze in Literature and Film. 2000-10-01
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Collapse of House and Body: Agnès Varda and Michel Legrand’s ‘Cri d’amour’ in Varda’s 1962 full-length film Cléo de 5 à 7,
The Twelfth Annual Graduate Student Symoposium 2000-04-01
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The Prostitute as Public Commodity: Jean-Luc Godard's 1962 Vivre sa vie,
The James F. Jakobsen Graduate Forum 2000-03-01
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Slippage in the Writings of Annie Ernaux,
Space in Literature and Film 1998-04-01
Research
Research Overview
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French Screen and Cinema, French Women Writers, French Studies
Teaching
Teaching Overview
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French Screen and Cinema, 20th-21st Century French Literature, French for the Professions, and Gender Studies
