Spencer, Helena Kopchick
Associate Professor
- 910.962.3394
Phone
Spencer, Helena Kopchick
Associate Professor
Positions
- Associate Professor, Music , College of Humanities, Social Sciences, and the Arts
Publications
Selected Publications
Document
| Year | Title | Altmetric |
|---|---|---|
| 2022-01-01 | Justamant’s Le Bossu and Depictions of Indigenous Americans in Nineteenth-Century French Ballet.
In America in the French Imaginary, 1789–1914: Music, Revolution and Race.
49–99.
2022-01-01
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| 2022-01-01 | Louisiana Imagined: Gender, Race and Slavery in Le Planteur (1839).
In America in the French Imaginary, 1789–1914: Music, Revolution and Race.
100–145.
2022-01-01
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| 2020-01-01 | Fromental Halévy, La Reine de Chypre, Flemish Radio Choir and the Orchestre de chambre de Paris.
Nineteenth-Century Music Review 17.
504–506.
2020-01-01
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| 2020-01-01 | Le divertissement dansé.” Trans. Hervé Lacombe.
In Histoire de l’opéra français.
316–324.
2020-01-01
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| 2020-01-01 | “Lise Noblet.” Trans. Hervé Lacombe.
In Histoire de l’opéra français.
369.
2020-01-01
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| 2020-01-01 | “Marie Taglioni.” Trans. Hervé.
In Histoire de l’opéra français.
370.
2020-01-01
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| 2017-05-01 | "_Parisian Music-Hall Ballet, 1871–1913_. By Sarah Gutsche-Miller. pp. x+373. Eastman Studies in Music. (University of Rochester Press, Rochester, NY, and Woodbridge, 2015. ISBN 978-1-58046-442-0.)".
Music & Letters.
303–305.
2017-05-01
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| 2016-01-01 | Eugène Scribe and the Jardin des Femmes Convention.
Meyerbeer and Grand Opéra from the July Monarchy to the Present.
287–312.
2016-01-01
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Presentations
- Concert: Pastorale (1/14/23), Performer, Southern Harmonie 2023-01-01
- "An Authentic Ethiopian Princess": Caterina Jarboro and the Construction of Black Celebrity in Interwar Europe, Transnational Opera Studies Conference 2022-06-01
- Caterina Jarboro on the European Stage, 1935–39: Repertoire, Reception, and the Precarity of Black Divadom, Spring Meeting of the American Musicological Society–Southeast Chapter (Charlotte, NC) 2022-03-01
- Masterworks Series I: A Triumphant Return, Performer, Charleston Symphony Orchestra 2021-09-22
- Louisiana Imagined: Gender, Race, and Slavery in Le Planteur (1839), Annual Meeting of the American Musicological Society (virtual) 2020-11-01
- Charles Koechlin: Trio in G Major, Op. 92, Performer, Brierwood Ensemble 2019-06-20
- Sémiramis (1860) at the Paris Opéra in the Age of Romantic Archaeology, Transnational Opera Studies Conference 2019-06-01
- "Youthful Exuberance" (Young Soloist Competition Winners Concert), Performer, Oregon Mozart Players 2019-05-06
- "London Bridges", Performer, Oregon Mozart Players 2019-03-09
- "Shall We Dance?", Performer, Oregon Mozart Players 2019-02-09
- Sémiramis (1860) at the Paris Opéra in the Age of Romantic Archaeology, Annual Meeting of the American Musicological Society 2018-11-01
- Witches, Damnation, and Sexual Violence in Robert le diable, Staging Witches Pre-Conference held in conjunction with the Annual Meeting of the American Musicological Society 2018-10-01
- Henri Justamant’s Choreographies for Les Huguenots and La Favorite at the Paris Opéra, 1868/69, Transnational Opera Studies Conference 2017-07-01
- Henri Justamant’s Choreographies for Les Huguenots and La Favorite at the Paris Opéra, 1868/69, North American Conference on Nineteenth-Century Music 2017-06-01
- “Ancient Worlds on the Paris Opéra Stage: Herculanum (1859), Sémiramis (1860), and the Archaeological Imagination,”, Music & Culture Colloquium Series 2017-04-01
- Bathing Beauties, Languid Wasps, and Turkish Odalisques: The Parallel Lives of Meyerbeer’s Chœur des Baigneuses in Parisian Vaudeville, North American Conference on Nineteenth-Century Music 2015-07-01
- Bathing Beauties, Languid Wasps, and Turkish Odalisques: The Parallel Lives of Meyerbeer’s Chœur des Baigneuses in Parisian Vaudeville, Transnational Opera Studies Conference 2015-06-01
- “Eboli’s Idyll: The Garden of Women in Act II, Tableau 2 of Verdi’s Don Carlos,”, Shepherd School of Music, Rice University 2015-02-01
- The Comique Roots of Queen Marguerite’s Garden: Contextualizing Act II of Les Huguenots, Fall Meeting of the American Musicological Society–Southeast Chapter 2014-10-01
- “Music Fit For a Queen: William Mundy’s Marian Antiphons,” 2014-10-01
- Eugène Scribe and the Jardin des Femmes Convention, International Conference on Meyerbeer and French Grand Opéra 2014-09-01
- Geography and Meaning in Donizetti’s La Favorite, International Conference on Nineteenth-Century Music 2014-06-01
- “Geography and Meaning in Donizetti’s La Favorite,” 2014-02-01